Friday, May 17, 2013

FINAL THOUGHTS: WOMEN HELPING WOMEN

Exaltation de la Fleur (exaltation of the flower), fragment from a
grave stele, Parian marble, made in Pharsalos, ca. 470/–460 BC.
From Pharsalos, Thessaly Louvre Museum, Paris, France
I discovered after exploring the Homeric Hymn to Demeter, that many of the situations and descriptions can be considered very anti feminist.  There were many occasions in which it was made clear that the women did not have any say in what took place around them even though it affected them greatly.  There were also times in which the women were described by qualities valued by men, but were not necessarily the most encompassing of their character.  I also came to the conclusion that this may simply be because it was a product of its time.   However, it is also pro women in the sense that it is a celebration of women helping women.  The entire story revolves around strong female characters driven by passion and love for their families, willing to risk anything to help them.  While often given less power, the narrative displayed these woman in the most reverent light.

As I was reading this myth, I recalled the Bechdel Test.  The Bechdel test was popularized by Allison Bechdel and is used in movies, shows and literature, not to measure quality, but simply the awareness of our culture and our communication.  It just needs to pass this very simple and insightful criteria: 

                          1. It has to have at least two [named] women in it
2. Who talk to each other
3. About something besides a man
 
I was thrilled to be aware of this test and find so many conversations between named woman characters revolving around their lives.

There were multiple times during the reading of the myth that I was compelled by the way the author described the depths of the emotions of the sisters,Hekate, Demeter, and Persephone.  I felt this writing showed a beautiful understanding of woman and illustrated their heroism and valor as well as any of the male heroes of that day.
 

More information about the Bechdel Test
http://bechdeltest.com/

ANALYZING THE STORY: PART 3 THE ASCENT (PERSEPHONE RETURNED)

Demeter and Persephone made at Myrina, 
north-west Asia Minor c. 100 BC
Persephone continued to tell her mother everything that happened

"In this way did the two of them spend the whole day, having a like-minded thûmos,/
and they gladdened greatly each other’s heart and thûmos,/ hugging each other, and their thûmos ceased having akhos./ They received joy from each other, and gave it./ Then Hekatê approached them, the one with the splendid headband./ And she welcomed back the daughter of holy Demeter with many embraces."

 So, I have used this image before, but I don't think I have found another depiction of any kind that captures the tenderness and connection between Demeter and Persephone as this one does.


Pinax of Persephone and Hades from Locri.
Reggio Calabria, National Museum of Magna Graecia
Zeus then sent for Demeter to come to dwell among the other gods and goddess again.  He granted that Persephone would spend two thirds of the year with her mother and one third of the year with Hades.  The hymn says that Demeter did not argue and agreed to these terms.

It is because of this agreement that the ancient Greeks believed their seasons changed.  It is during the spring, summer and fall that Persephone is with her mother and they both are happy.  It is during the winter in which they are separated and grieving the absence of one another and nothing grows. 






Homeric Hymn to Demeter Translated by Gregory Nagy 
http://www.uh.edu/~cldue/texts/demeter.html 


ANALYZING THE STORY: PART 2 THE SEARCH

 Demeter mourning Persephone, Evelyn de Morgan, 1906
"The peaks of mountains resounded, as did the depths of the sea [pontos],/ with her immortal voice. And the Lady Mother [Demeter] heard her./ And a sharp akhos seized her heart. The headband on her hair/ she tore off with her own immortal hands/ and threw a dark cloak over her shoulders./ She sped off like a bird, soaring over land and sea,/ looking and looking."

"The Search" opens with this riveting imagery of Demeter hearing the cry of her daughter and the beginning of her tenacious pursuit.  I love the intensity of this scene.  One can so easily picture her pain at the realization of what has happened and the actions of her tearing off her headband and throwing on her cloak.  She does not seem at this moment to be a mother one would want to mess with.  I was curious about the choice to use the word akhos to express her emotion.  I found that it meant, grief, public expression of grief by way of lamentation or keening in Greek.  This word has a linguistic history of being used by Greek heros to describe the depths of their sorrow, especially at the death of a loved one.  It is clear that the ancient Greeks understood the poetry of lament.


Hekatê Appearing to Demeter, relief sculpture
Sadly, the first line after the quote above is, "But no one would tell her the truth" of what happened to her daughter.  I wonder if this was due to the fear of Zeus and Hades, not unlike modern day fear within domestic abuse situations.  The hymn says she searched for nine days and nights with her torch neither eating nor sleeping...not even bathing.  On the tenth day, Hekatê finally appeared to her holding a light in her hands.  



“Lady Demeter, bringer of hôrai, giver of splendid gifts,/ which one of the gods who dwell in the sky or which one of mortal humans/seized Persephone and brought grief to your philos thûmos?/ I heard the sounds, but I did not see with my eyes/ who it was. So I quickly came to tell you everything, without error.”  What takes place next, I feel, is one of the most beautiful moments in the story.  It says that Demeter did not answer and when she didn't, Hekatê picked up the torch in silence and continued the search with her.  I can't help but get an image of Hekatê saying her piece and sensing Demeter's despair and determination.  Hekatê seems to empathize with Demeter as a mother and instead providing advice or consoling her, she simply takes up her burden with her.  It appears that no one except the one woman who can relate to Demeter's problem is willing to risk consequences from other gods.

Helius god of the sun, Athenian red-figure krater
C5th B.C., British Museum, London
The women searched together and then went to Helios, the sun god, to see if he, in his omnipotence, saw anything. Because Helios respected and felt sorry for Demeter, he told her the truth of what he saw.  He revealed Zeus and Hades agreement.  He continued however by urging Demeter to not cry anymore as Hades would not be a bad son and law to have.  You can imagine Demeter's reaction to such statement lacking empathy.  It says that she was visited by grief that was worse than before and she wept so loud that she sounded like the dogs of Hades.

In her anger, Demeter shunned the gods of Mount Olympus and dwelt among the humans disguised as a mortal.  No one recognized her until she went to the land of the ruler of Eleusis (Remember the Eleusinian Mysteries?).

 It was there that she sat by a well appearing as a haggard, barren old woman and met the four daughters of Keleos, son of Eleusinos.  There names were Kallidikê, Kleisidikê, Kallithoê the eldest and the lovely Dêmô.  They did not recognize her, but the sisters talked with her.  Demeter not wanting to reveal her identity made up a story in which she was seized by pirates and eventually escaped and wandered until she was at their well.  She then wishes them happy lives with good husbands and lots of children.  She asks if they know a home with children who need to be looked after.  It seems that in Demeter's heartache and lack of hope of ever seeing her daughter again, she wishes to care for children who need it.  The sisters encourage Demeter that they will help her find a family in need.

The sisters then take Demeter to a woman who has a son who is very dear to her.  They have a dinner together and Demeter begins to long for her own daughter.  The other mother senses her despair starts to tell her jokes to which Demeter laughs and begins to feel comforted.  It is at this point they offer her a drink that she refuses.  Demeter instead asks for a drink mixed of barley and water (perhaps this is the point in the play in which the Eleusinian Mysteries drink and experience a secret revelation).  The mother realizes that Demeter is no ordinary woman and entrusts her with her son to raise.  

Demeter raised the son as her own and he grew as if a god himself.  One night, the son's true mother checked on her baby and saw Demeter doing things with her son that would make him immortal.  The mother became angry and in returned anger for her f oolishness, Demeter set a curse on the people in which they would experience war at the same time every year.  She then revealed her true identity as a goddess to the mother.  Demeter told the mother that she would instruct her in the sacred rites to please her.

Temple of Demeter in Eleusis
The people then set out to build a temple for Demeter.  When the temple was completed she went within in and yearned and wasted away for her daughter.  In her grief, she made that year a most terrible for the mortals.  Plants did not grow.  The near death of the people received the attention of the gods and Zeus spoke with her.  It did not help and so, one by one, all of the gods came and spoke with Demeter and gave her gifts.  Demeter was so angry that she refused to go back to Olympus or bring up the harvest until she saw her daughter with her own two eyes.

Hades with Cerberus
(Heraklion Archaeological Museum)
Hearing this, Zeus sent Hermes (the messenger god) to find his brother Hades try to convince him to allow her to see her daughter Persephone so as to let go of her anger. The Homeric Hymn says that, "he found the Lord inside his palace,/ seated on a funeral couch, along with his duly acquired bed mate,/ the one who was much under duress, yearning for her mother, and suffering from the unbearable things/ inflicted on her by the will of the blessed ones."  Hermes delivered the message.  Hades smiled and complied.


       “Go, Persephone, to your mother, the one with the dark robe.
           Have a kindly disposition and thûmos in your breast.

           Do not be too upset, excessively so.

      I will not be an unseemly husband to you, in the company of the immortals.

           I am the brother of Zeus the Father. If you are here,

365     you will be queen of everything that lives and moves about,

         and you will have the greatest tîmai in the company of the immortals.

           Those who violate dikê will get punishment for all days to come

           —those who do not supplicate your menos with sacrifice,

        performing the rituals in a reverent way, executing perfectly the offerings that are due.”

Persephone rejoiced at the knowledge of seeing her mother again.  What I find most saddening at this part of the story though is how Hades has the power of manipulation over Persephone in these lines hoping that she will not reveal how miserable she truly is in his presence.  This part of the story is not too distant from how events like this take place in reality.  You can imagine my delight when I read Persephone's conversation with her mother: "So then, Mother, I shall tell you everything, without error./"  Way to go Persephone!





Homeric Hymn to Demeter Translated by Gregory Nagy 
http://www.uh.edu/~cldue/texts/demeter.html 

Background on akhos
http://louisecharente.wordpress.com/2013/04/05/the-ancient-greek-hero-hour-3-achilles-lament/ 
http://classics.wlu.edu/greekglossary.html

Thursday, May 16, 2013

ANALYZING THE STORY: PART 1 THE DECENT (THE ABDUCTION)

Demeter and Persephone made at Myrina, 
north-west Asia Minor c. 100 BC
To begin, I have here a link to the version of the Homeric tale cleverly called "Homeric Tale to Demeter" translated by Gregory Nagy.

"Homeric Tale to Demeter" http://www.uh.edu/~cldue/texts/demeter.html

This myth contains 495 lines.  My hope is to read through it line by line and provide a summery while pointing out some things to think about regarding the relationship between men and women of Ancient Greece.

The narrator opens the story saying, "I begin to sing of Demeter, the holy goddess with the beautiful hair/ And her daughter (Persephone) too.  The one with the delicate ankles, whom Hades/ seized.  She was given away by Zeus, the loud-thunderer, the one who sees far and wide"  The first couple of lines very quickly begin to build the traits men and women are measured by.  These two, exceptionally known goddesses, are described by physical traits of beauty and delicacy while Zeus is described by his power and omniscience.  
The Statue of Zeus at Olympia was made by the Greek sculptor Phidias, circa 432 BC on the site where it was erected in the Temple of Zeus, Olympia, Greece.

It is made clear in the beginning that there is a plot taking place between Zeus, Hades and Gaia (the mother earth goddess) in which Demeter knows nothing about.  Zeus gave his consent to Hades taking Persephone, and the earth would help Hades catch her by luring her with the beautiful narcissus flower.  Essentially, one gets the vibe that the mother and the daughter's awareness of the arrangement unimportant.

Narcissus (1912) - John William Waterhouse
The myth says, "Persephone was having a good time along with the daughters of Okeanos, who wear their girdles slung low."  She was picking flowers when she saw the narcissus and in a state of wonder, reached toward it with both hands "to take hold of the pretty plaything."  The earth opened up and Hades lunged forward and seized her "against her will"and put her on his golden chariot.  They drove away as she "cried with a piercing voice."  

A few questions came to me in this section of the myth.  Persephone is portrayed as a very innocent figure.  She was having a "good time" with her friends picking flowers, she is described as flower-faced (which perhaps is describing her virgin state), sees a flower as a "pretty plaything" and is simply seized without the mention of a struggle besides her screaming.  Overall she seems more like a powerless, innocent child than a young woman leading me to wonder, How old was Persephone?.  The daughters of Okeanos also strikes me as an interesting detail to include.  I am assuming their "girdles slung low" could mean one of two things (I unfortunately could not find any information on this).  Perhaps it refers to a way that young women wore their clothing for play reinforcing the idea of innocence OR it implies the exposure of their breast, perhaps to comparatively describe the girls as not so innocent.  If this indeed is the meaning, it reminds me of the awful contemporary habit we have of describing how a girl dresses and what that implies about her character or how she should expect to be treated.  Maybe these sisters are intended to be seen as "not worthy" of Hades or a "bad influence" on Persephone. 


The Rape of Persephone
, Christopher Schwartz,
middle to late 1500s
At this pivotal point in the story, Persephone is being carried off by Hades' chariot and is screaming for help.  She cries to her Father Zeus and it says, "But not one of the immortal ones, or of human mortals, heard her voice."  None that is except for Hekatê.  I find this ironic as  Zeus is the one who "sees far and wide."  apparently his auditory capabilities do not match his seeing abilities.  We find out later that at this time Zeus is in the temple because humans are giving sacrifices to him.  This is how they explain him not able to hear her crying to him for help, but they also reiterate that he knows of the agreement for Hades, his brother, to have Persephone.

Hekate & Cerberus, Apulian red-figure krater
C4th B.C., Antikensammlungen, Munich
Hekatê, was the goddess of magic, witchcraft, the night, moon, ghosts and necromancy.  She was honored above all by Zeus and held the rare triple dominion in earth, sea, and heaven.  A very mysterious figure known to choose the victor in battles and grant wealth and honor.  She is considered very powerful but is also described as Kourotrophos, 'a Nursing-mother.' Could it be these strong ties to motherhood that made her the only one aware of Persephone's cries?

Part 1 of the story ends with: "So long as the earth and the star-filled sky/ were still within the goddess’s [Persephone’s] view, as also the fish-swarming sea [pontos], with its strong currents,/ as also the rays of the sun, she still had hope that she would yet see/ her dear mother and that special group, the immortal gods."

While not mentioned in the Homeric Hymn, it is implied by various artworks that Persephone is raped by HadesSurprisingly, most artists from ancient Greece up to the present choose this violent moment to depict the story.  I find this difficult to understand when it does not seem to be mentioned in the hymn and also because this moment is surrounded by so much alternative, fascinating imagery of Demeter searching for her daughter. Why is there so little imagery of the strong bond between Demeter and Persephone such as the sculpture at the top of this post when that is what the story is about?  

Here are just a few of the countless artistic pieces which illustrate the moment of Persephone's abduction and rape.  Due to the understanding of the "male gaze" (assuming art is to be viewed by males) it can be assumed that this scene is so popular because this image is not threatening to view from a male perspective and can be considered visually exciting and sexual.  From a female perspective however, this scene is terrifying and violent.  In my mind, this imagery makes me rethink how we choose which snapshots of a story we choose to portray.

The Abduction of Persephone, fresco,
The Royal Tomb of Persephone, 4th Century BC
The Abduction of Persephone by Hades,
Terracotta, 40,5 x 43,8 cm
Musées Royaux des Beaux-Arts, Brussels


The Rape of Proserpine, Hans Von Aachen, 1587
Oil on Canvas, 109 × 150 cm (42.9 × 59.1 in)

The Rape of Proserpina, Bernini,
marble sculpture, 1622

The Rape of Proserpina, detail
Rape of  Persephone, Tempera painting




Homeric Hymn to Demeter Translated by Gregory Nagy
http://www.uh.edu/~cldue/texts/demeter.html

Information on the goddess Hekatê
http://www.theoi.com/Khthonios/Hekate.html
http://www.sacred-texts.com/etc/tu/tu08.htm

SOME BACKGROUND AND A LITTLE BIT OF TRIVIA

Demeter, enthroned and extending 
her hand in a benediction toward the
kneeling Metaneia, who offers the 
truine wheat that is a recurring 
symbol of the mystries (Varrese
Painter, red-figure hydria 
ca. 340 BC, from Apulia)  
There are many versions of this story out there…especially modern retellings with hip jargon that manage to summarize it anywhere from a few paragraphs to a few sentences.  Here is a nice example: "It explains the origin of the seasons; the death of the plants in the winter, and their rebirth in the spring.  Hades plays the villain, Persephone is the victim, Demeter the heroine, and Zeus is something of a narrator because he oversaw all of the events related to the rape of Persephone."

 Since I assumed it came into being during oral tradition (when stories were verbally passed), I wondered if it even had an “original” written version.  If it did, that was the translation I wanted to read!  So I did a little investigating.

Book cover of the first
collection of scholarly essays of
the Homeric Hymns
As it turns out this “version” I was looking for can be found as a part of the Homeric Hymns.  The Homeric Hymns is an incredible collection of thirty-three ancient Greek hymns each dedicated to a different god or goddess and is considered to be among the oldest Greek literature (some of them believed to be written in the 7th century)!  

Contrary to what you might assume, these Homeric Hymns were not written by Homer (the poet attributed with writing the Iliad and the Odyssey) but instead incorporate the same epic meter he used.  For those of you who would like to sound very smart, this epic meter is called dactylic hexameter (a shoe-in question for Jeopardy).  Basically, Thucydides, the “Father of Scientific History” made that connection and it stuck ever since.  Step one, become the "Father" of something, step two, confuse everyone for centuries by making erroneous connection.

Votive plaque depicting elements of the 
Eleusinian Mysteries, discovered in the 
sanctuary at Eleusis (mid-4th century BC)
The goddesses Demeter and Persephone appear in one particular modern re-telling of the annually performed Eleusinian Mysteries.  the Eleusinian Mysteries were initiation ceremonies for new members to the cult of Demeter and Persephone in Eleusis Greece which was a tradition traced back to the Mycenean period (c. 1600-1100 BC) and practiced for 2000 years.  Eleusis was a cult site near Athens, where in September every year they celebrated the greatest Greek Mysteries.  The Mysteries were open to all, free, slave, male and female.  However, the catch was, it was an event to be attended only once in your lifetime. Terence McKenna, American ethonobotanist, philosopher, psychonaut, researcher, teacher, lecturer, and writer, who is an expert on the Eleusinian Mysteries, described the significance of the event as "You had one shot at whatever this thing ("Mystery") was, and you were sworn to silence, and literally everyone who was anyone went to Eleusis to experience the Mysteries, even Plato.  It was the well spring of Greek spirituality."  We don't know what this was however.  McKenna goes on to talk about how something was drunk and something was seen.  The experience, he conjectures, may have had to do with mushrooms.


2013 poster for the modern performances of the Eleusinian Mysteries by the Aquarian Tabernacle Church
2013 poster for the modern
performances of the Eleusinian
Mysteries by the Aquarian
Tabernacle Church
If you are interested in the full story regarding the "Mystery" of the Eleusinian Mysteries check out Terence McKenna's talk about it at:

http://www.youtube.com/watch?v=PG2v6Mh12_c

The recreation of these "mysteries" is done every year by the Aquarian Tabernacle Church, located in Washington state.   This church is one of the first Wiccan organizations to receive full legal status as a church in the U.S., Canada and Australia.  
 
This production, in which Demeter and Persephone are the central characters, depicts the abduction of Persephone from her mother, Demeter, by Hades, the god of the underworld.  The story contains three parts: the descent (the abduction), the search and the ascent (Persephone returned).

So, besides some of them being goddesses, how were women generally viewed and treated in Ancient Greece?  For this answer I referred to Eva C. Keuls's introduction to her book, "The Reign of the Phallus."  While at points it can be passionate and bring in many personal opinions, it is a very helpful resource in understanding the role of women in Ancient Greece.  I would highly recommend it.


Eva C. Keuls book on sexual politics
in Athens
--a helpful resource on
Feminism in Ancient Greece
Keuls brings up the similar positions of women and slaves.  The legal word for wife that they used was damar which meant "to subdue" or "to tame."  When a woman got married, a basket of nuts was poured over her head...a treatment also done with newly purchased slaves.  Also like a slave, a woman had no protection under the law, except when she was the property of a man...she was not considered a person in the context of the law.  Because of this, the record of Athenian women is non existent.   However, there were things that slaves were subjected to that women were not, such as routine torture, exclusive to Athens, for a testimony in court.  Both slaves and women, however were under the dominance of men when it came to habitual sexual outlets.

So now that you have a context for the mythical story of Demeter and Persephone, let us take a look at the story itself.




University of California Press--notes on the Homeric Hymns
http://www.ucpress.edu/book.php?isbn=9780520239937 

Scholarly essays of Homeric Hymns and book cover image
http://www.bookworld.com.au/book/the-homeric-hymns-interpretative-essays/15689992/

Official Aquarian Tabernacle Church Website
http://www.aquariantabernaclechurch.org/spring-mysteries-festival

Terence McKenna-Eleusinian Mysteries
http://www.youtube.com/watch?v=PG2v6Mh12_c 

Keuls, Eva C. "The Reign of the Phallus." Introduction. The Reign of the Phallus: Sexual Politics in Ancient Athens. New York: Harper & Row, 1985. N. pag. Print.










AN INTRODUCTION








The Return of Persephone, Lord Frederich Leighton, 1891


The tragic story of Demeter and her daughter Persephone is one of the most remembered stories in ancient mythology.  Perhaps this is due to the traumatic events that take place within the plot or maybe it is because, on a universal level, it depicts what the strong bond of love looks like between a mother and a daughter.    

I, myself, was exposed to this story as a young girl.  While I did not understand a great deal of the content within it, the illustrations of a mother desperately looking for a daughter lost to the depths of hell stuck with me.  Now, as a young woman, I hope to revisit and re-explore this story with new understanding.   

Using my feminist perspective and a little critical thinking, I hope to ask you provoking questions and shed new insight on this timeless story.  So here is my first question...What do you know about this piece of mythology?  

Information on the image and the artist Lord Frederich Leighton
http://www.leedsartgallery.co.uk/gallery/listings/l0033.php
  
Homeric Hymn to Demeter Translated by Gregory Nagy
http://www.uh.edu/~cldue/texts/demeter.html